A lovely pair of Chinese Blanc de Chine figures of Guanyin (Avalokiteshvara) seated upon animals, Republic Period, circa 1930s.
Guanyin, the Bodhisattva of mercy and compassion is portrayed as a matronly figure, dressed in voluminous robes and festooned with garland necklaces, hair in a high chignon.
One figure holds a vase of pure water and sits atop a horned Buddhistic lion. In this form, Guanyin is known as Simhanada, or the Lion’s Roar. Lions feature prominently in Buddhist iconography, symbolizing the strength of the teachings of the Buddha and the power of enlightenment.
The other figure holds a lotus flower, a symbol of both Buddhism and purity, and sits upon an elephant. The elephant also figures prominently in Buddhist iconography, representing mental fortitude and calmness.
The figure of Amitabha Buddha missing from the headdresses of both figures, seemingly intentionally removed.
Blanc de Chine, also known as Dehua, in reference to the kiln site where it is produced Fujian province, has been in continous production since the Ming dynasty. It has been prized for centuries both in China and Europe for the amazing detail artists are able to mold, as well as the pure white glaze that covers the wares.
Guanyin, the Bodhisattva of mercy and compassion is portrayed as a matronly figure, dressed in voluminous robes and festooned with garland necklaces, hair in a high chignon.
One figure holds a vase of pure water and sits atop a horned Buddhistic lion. In this form, Guanyin is known as Simhanada, or the Lion’s Roar. Lions feature prominently in Buddhist iconography, symbolizing the strength of the teachings of the Buddha and the power of enlightenment.
The other figure holds a lotus flower, a symbol of both Buddhism and purity, and sits upon an elephant. The elephant also figures prominently in Buddhist iconography, representing mental fortitude and calmness.
The figure of Amitabha Buddha missing from the headdresses of both figures, seemingly intentionally removed.
Blanc de Chine, also known as Dehua, in reference to the kiln site where it is produced Fujian province, has been in continous production since the Ming dynasty. It has been prized for centuries both in China and Europe for the amazing detail artists are able to mold, as well as the pure white glaze that covers the wares.
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Dimensions:Height: 11.75 in (29.85 cm)Width: 8 in (20.32 cm)Depth: 5 in (12.7 cm)
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Sold As:Set of 2
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Style:Chinoiserie(Of the Period)
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Materials and Techniques:PorcelainGlazed
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Place of Origin:China
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Period:1930-1939
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Date of Manufacture:circa 1930
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Condition:GoodWear consistent with age and use. Minor losses. Both figures with several broken fingers and the loss to the headdresses. The stem of the lotus blossom also missing. Please see photos. No other cracks, chips or repairs noted.
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Seller Location:Austin, TX
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Reference Number:Seller: LU894711068771
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